Bill Ayers' Semi-Fictional Black Surrogates
By Jack Cashill
The American Thinker
March 23, 2012
In this much ballyhooed season of "vetting," please allow me to zero in anew on Barack Obama's Achilles heel -- namely, his willingness to take credit for a book that he did not write in any meaningful way. This would be the book on which his genius myth is founded: his 1995 memoir, Dreams from My Father.
From early on, I have argued that terrorist emeritus Bill Ayers, a skilled writer and editor, is the primary craftsman behind Dreams. Thanks to the video interview of mailman Allen Hulton by WND's Jerome Corsi, we have a clearer picture of why Ayers would have invested so much time in this project and how he might have been reimbursed.
Say what one will about the sanity of Ayers' educational philosophy, there is no denying his sincerity. He has been plugging away at educational reform his entire adult life. Dreams, I will argue, gave him the opportunity to address the one great obstacle to the reform of Chicago schools -- namely, an obstructionist black educational bureaucracy. To make his case in the book, Ayers employs three semi-fictional African American surrogates, the third of whom easily being the least fictional and most useful.
To be sure, there is much other evidence to believe that Ayers crafted Dreams: the comprehensive postmodern patois that Obama and Ayers share, the matching 50 or so nautical metaphors, the shared use of the Conrad-like triple-parallels, the nearly fetishistic eye and eyebrow metaphors, the three stunning parallel stories, the four matching errors, the same weary '60s worldview, the borrowed Ayers girlfriend in Dreams, the inarguably similar Homeric openings, the dramatically inferior writings of Obama before and after Dreams, and more. It is Ayers' strategic use of black surrogates, however, that will tell us why he involved himself in Dreams. ...
Remainder of article @ http://www.americanthinker.com/2012/03/bill_ayers_semi-fictional_black_surrogates.html

The essential American soul is hard, isolate, stoic, and a killer. It has never yet melted. ~ D.H. Lawrence